A repeat performance proves that The Lion, truly, Never Sleeps

An amazing night with a repeat walking performance of The Lion Never Sleeps by Noamie Huttner-Koros at The Blue Roome theatre (well, we started walking from there) for which I was interviewed in 2019 for her 2019/20 season. It tells stories of Perth's LGBTIQ community during the AIDs crisis in the early to mid 1980s, part of the largely undocumented and overlooked history of Western Australia that wasn't considered 'acceptable' history for decades.

Lots of memories are evoked in an innovative outdoor theatre experience I haven't seen done this brilliantly anywhere else.

Photo of blonde pixie cut is Noemie our director-writer, the walking audience with headsets immersed in another world and me listening to a lot of lost memories and friends no longer with me. A whole generation and a whole world away from 2023.

The map of our walk through Perth's inner city Northbridge was accompanied by voices, sounds, stories of folk who lived through the AIDs crisis in an era when our existence was illegal & threats, violence a daily part of life. Younger LGBTIQ people's interest in us has really touched me. A beautiful night. Thank you Noemie.

Carl Gopalkrishnan (aka Gopal)

Over the past two decades, Carl Gopalkrishnan's artwork has garnered international recognition for its ability to forge meaningful connections between cultural narratives in art and literature and the complex dynamics driving international law, intervention, and global conflict. Carl transforms our familiar cultural artefacts into new myths. Through his art he opens a door for legal and military minds to explore the creative, subconscious, and emotional nuances underlying doctrines that shape war and peace.

https://www.carlgopal.com
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New Publishing: Critical Military Studies, London, Volume 9 #2, May 2023

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AUKUS Chronicles/Studio Notes: New Drypoint Print, Orc in a Bar in Richmond