Blog Archives
Blog Archives
Blog Archives
Blog Archives
Over the past two decades, Carl Gopalkrishnan's artwork has garnered international recognition for his ability to forge meaningful connections between art & literature and the complex dynamics driving international law, intervention and global conflict. Carl transforms familiar cultural artefacts into new myths so legal and military minds can explore the creative, subconscious and emotional stories that shape their doctrines of war & peace. (Photograph copyright © Amanda Brown 1992)
My Obama painting goes queer for London's Chroma Journal #9, UK
I have a painting in the current issue of Chroma Journal in London, themed "Americas". It's my acrylic and stencil/spray on canvas painting Obama in Conversation with Vishnu and Daleks (above). Chroma is funded by Arts Council England and it's literary pieces get positively reviewed in The Times.
Studio Notes: New Painting: Suppertime and the different shades of our experiences of racism. Music really is our silent voices
The title is from Ethel Waters' rendition of Suppertime from Irving Berlin's 1933 broadway revue - As Thousands Cheer. (play the song on You Tube below). People wouldn't know but this was an innovative revue based on a newspaper and the events of the day (remarkable, you'd never get that bravery today). I re-drew Obama's face with olive leaves, sort of a mask of Caesar.
Studio Notes: New painting: ‘Oh Barack, don’t let’s ask for the moon’, 2009
"Oh Barack, Don't let's ask for the moon. We have the stars. " Chick Flick: Acrylic, screenprint on 16 x 20" canvas. This is a continuation of my using Broadway and Hollywood metaphors, in examining the US/Israeli/Palestinian relationships.