Blog Archives
Blog Archives
Blog Archives
Blog Archives
Over the past two decades, Carl Gopalkrishnan's artwork has garnered international recognition for his ability to forge meaningful connections between art & literature and the complex dynamics driving international law, intervention and global conflict. Carl transforms familiar cultural artefacts into new myths so legal and military minds can explore the creative, subconscious and emotional stories that shape their doctrines of war & peace. (Photograph copyright © Amanda Brown 1992)
Studio Notes: Revisiting my visual diaries as drypoint prints
These are my first drypoint prints for decades - Akinesia and Gloria which I did today. My pet project is reworking a selection of my visual diaries over the past 3 decades. I wanted to do a series of prints, but it's been two decades since I did any etchings and I don't own a press. So, I'm incredibly grateful to printmaker Monika Lukowska-Appel here in Perth in Western Australia at the Midland Arts Junction who ran a workshop for artists in my area.
Cover Art, So much fun working with The Novocaines on cover art for their new singles, April, 2013, Australia
The Novocaine's new singles Freedom Please & Till Deathhave my artwork White Noise on the cover (click on the links). This new sound connects with metal in a really original way,
Cover art: ‘Social Policy Magazine’ & No Child Left Behind Act, USA, 2007
Cover Art: Social Policy Magazine, New Orleans, USA. 2007 (Education Reform). I really found this a challenge, as I worked with a great editor, Caitlin, who sent me the complex articles on the No Child Left Behind Act
Artist statement: Sedition and Other Bedtime Stories, Kieth+Lottie Gallery, WA, 2006
Artist statement and invitation for my new exhibition Sedition and Other Bedtime Stories at Keith+Lottie Gallery, William STreet Northbridge WA.