I was very moved by this open letter. It’s not often you feel that a talk you gave or paper you wrote really connected with anyone. I feel very welcomed by The Blake Society, and I really think many people of different cultural and faith background throughout the Asia-Pacific would enjoy Blake’s ideas and find gems of thoughts very aligned with Eastern spiritual mythologies and cultures.

Soldiers & civilians both share secret lives of superstition and they often carry material objects for ‘luck’ and protection during life’s challenging moments. Building on my rustic War and Peace 2023 amulets, these 2 new designs are high-fire colour glazed using WA stoneware clay & come with each 2024 giclée limited edition print orders for ‘Love in a Cold Climate’ & ‘Crooked Roads’.

My visual essay in VALA, the journal of The Blake Society in London, is called "A Field Manual for A Lost Soldier: William Blake's The Marriage of Heaven and Hell as a Course in Complexity". Their theme is War & Peace. Marriage can help us unravel the complexity of our times. Military leaders also need reminding that limiting their creativity to technologies to kill blinds them to the shape-shifting qualities of Blake’s God and Satan.

“William Blake’s character Orc and I did a metaphorical bar hop and imagined our way into a bar in Richmond on a typically cold, wet winter Melbourne evening. The windows were steamed up from the kitchen and after many whisky shots we were both worse for wear. Back in my real-time studio of course, it was gin & tonics…So, in my imaginary studio conversations, Orc was in verbal stream-of-consciousness about how men saw their violence as crucial to their hero’s journey…

This is a new drypoint print about my ‘imaginary’ meeting with William Blake’s Orc from his poem America a Prophecy (1793). In my process of painting Australia a Prophecy in 2021, I engaged with William Blake’s poem America a Prophecy and that poem’s main character Orc. The following is a transcript from my 2023 talk to The Blake Society in January 2023. I used the term “imaginary conversation” in a performative way to bring my process alive in that talk and to walk the audience through the concept of a focused imagination as a ‘doorway’ into the visionary processes…

This print was created as a visual prayer to my God (but choose your own with my blessing:) to prevent the architects of the AUKUS agreement from completing their frightening visions - for visionary power can be used for any ends. I hope it assists you to create your own navigational tool that doesn’t break too easily in rough storms…As we witness Blake’s Lions and Wolves (Australian & US &UK governments, military and supporting journalists) converge to show their true identity in their attacks and silencing of those opposing AUKUS …