Blog Archives

Blog Archives

Blog Archives

Blog Archives

Over the past two decades, Carl Gopalkrishnan's artwork has garnered international recognition for his ability to forge meaningful connections between art & literature and the complex dynamics driving international law, intervention and global conflict. Carl transforms familiar cultural artefacts into new myths so legal and military minds can explore the creative, subconscious and emotional stories that shape their doctrines of war & peace. (Photograph copyright © Amanda Brown 1992)

Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

AUKUS Chronicles: The Mental Fight (Lamb of God), unique state print, watercolour

A watercolour unique state version of my drypoint print The Mental State/Lamb of God (2023). A unique state is a one-off art piece because the artist changes the print by applying other media such as paint or gold leaf. As with the print, the theme is the same, and I did a post about this a while ago. The colour changes the meaning for me. I uploaded this print because the colours felt unworldly, like a prayer.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Rearview Mirror: As US nuclear submarines move into my hometown, I revisit my dry pastel "Ship of Fools" from 1992

I was reminded with all the stories around the Indo-Pacific and naval activities of some artworks from my 1992 solo exhibition Dualities. I was 24 and they have that graphic style from the era as I was doing graphic design back then before I discovered paint and canvas. It is the same theme, starting with dry pastel on paper in very vivid colours (1). All titled the same, Ship of Fools. This first image was actually the last incarnation. I started off with some pen and ink cross hatch drawings (3), the theme then evolved into an etching/aquatint on cotton rag (2).

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

New Publishing: Critical Military Studies, London, Volume 9 #2, May 2023

In this article of Volume 9, #2, 2023 of Routledge London journal Critical Military Studies, I share my experience of using William Blake’s 1793 poem America a Prophecy as a lens to explore the mythic, subconscious and literary constructions of military interventions in the Indo-Pacific with my 2021 painting ‘Australia a Prophecy’ & a 2000 word essay.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

AUKUS Chronicles/Studio Notes: Painting the ‘Indo-Pacific’ through the 18th century lens of English poet William Blake

My painting re-imagines William Blake’s poem America A Prophecy (1793) exploring Australia in the Indo-Pacific. I followed a similar journey to Blake, exploring my own spiritual and mythic values, in the political theatre across decades. Blake’s character, Orc challenges our view of what’s right and wrong. ‘Australia A Prophecy’ asks if military leaders see themselves as Orc the Saviour or – like the Hindu God Shiva – Orc the Destroyer of Worlds.

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