Blog Archives

Blog Archives

Blog Archives

Blog Archives

Over the past two decades, Carl Gopalkrishnan's artwork has garnered international recognition for his ability to forge meaningful connections between art & literature and the complex dynamics driving international law, intervention and global conflict. Carl transforms familiar cultural artefacts into new myths so legal and military minds can explore the creative, subconscious and emotional stories that shape their doctrines of war & peace. (Photograph copyright © Amanda Brown 1992)

Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

New Publishing: In VALA 4 ‘War+Peace’, William Blake untangles complexity & our 2022 UK Defence Doctrine, Nov 2023, London, UK

My visual essay in VALA, the journal of The Blake Society in London, is called "A Field Manual for A Lost Soldier: William Blake's The Marriage of Heaven and Hell as a Course in Complexity". Their theme is War & Peace. Marriage can help us unravel the complexity of our times. Military leaders also need reminding that limiting their creativity to technologies to kill blinds them to the shape-shifting qualities of Blake’s God and Satan.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Preview: Some new canvases from my VALA Journal essay (War & Peace), November 2023

This canvas is one of 4 images I painted for my visual essay in VALA 5. Written for an international audience, it is a comparative reflection on William Blake's rather complex 1790s poem ‘The Marriage of Heaven and Hell’ and the ‘UK Defence Doctrine 2022’ (UKDD), together with some philosophical classics which together create an alternate lens on new capabilities amidst current global, geopolitical tensions in both Europe and the Indo-Pacific of 2023…I hope it makes a positive contribution at a very challenging time for us all.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

AUKUS Chronicles/Studio Notes: A Visual Prayer for Protection from The Captains of AUKUS, new drypoint prints

This print was created as a visual prayer to my God (but choose your own with my blessing:) to prevent the architects of the AUKUS agreement from completing their frightening visions - for visionary power can be used for any ends. I hope it assists you to create your own navigational tool that doesn’t break too easily in rough storms…As we witness Blake’s Lions and Wolves (Australian & US &UK governments, military and supporting journalists) converge to show their true identity in their attacks and silencing of those opposing AUKUS …

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

AUKUS Chronicles/Studio Notes: Painting the ‘Indo-Pacific’ through the 18th century lens of English poet William Blake

My painting re-imagines William Blake’s poem America A Prophecy (1793) exploring Australia in the Indo-Pacific. I followed a similar journey to Blake, exploring my own spiritual and mythic values, in the political theatre across decades. Blake’s character, Orc challenges our view of what’s right and wrong. ‘Australia A Prophecy’ asks if military leaders see themselves as Orc the Saviour or – like the Hindu God Shiva – Orc the Destroyer of Worlds.

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Carl Gopalkrishnan (aka Gopal) Carl Gopalkrishnan (aka Gopal)

Featured Cover Artist: Literal Latté Journal, June 2009, NYC, USA

Literal Latté in New York City for the June 2009 issue. This publication has been helping new writers to get a foot in the door of the traditional publishing world for many years now. Literal Latté remains committed to finding and nurturing great talents both on its website and in its new annual anthology, in book format. It's been great making new friends with the editorial team there and learning about the NYC editorial culture. So pleased to be this month’s featured artist.

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