My painting There is Nothing Like A Drone will be the cover for Dr Kyle Grayson's new book from Routledge: Cultural Politics of Targetd Killing: on drones, counter-insurgence and violence published this July 2016. It is part of their Intervention Series. See
This series of 6 small paintings are stories about fashion, suicide vests and social media. It pays homage to 60s and 70s high drama 70s horror films, retrospective disco and 80s influenced electronic space pop and Facebook. These 3 paintings are 10x12 inch canvases. All the painting are called
I am contributing artwork to the workshop, “Hitting the Target?” - How New Capabilities Are Shaping Contemporary International Intervention in 12 July 2012 - 13 July 2012 at cii – the Centre for International Intervention, School of Politics, University of Surrey in the UK. There
I realised that this painting has not been posted in my Visual Diary so here it is. It is a small canvas (20x20cm) called Kandahar Kandy , and is a companion piece to Nothing Like A Drone (both Feb 2011 completed). I merged a Hollywood character
WAR POETRY 2011 has updated its page with new poems by soldiers including veterans of the Iraq conflict. I found Gerardo Mena's poem "So I was a coffin" both disturbing and moving. I read it several times. Palestinian poet Suheir Hammad's poems evokes another lens
In this surreal landscape, Department of Defence (DOD) Dragonfly robots both record and control Julian Assange, our 19th century marionette-Crusader, holding his shield of digital secrets as the world redefines war.
If the battle today is about moderates and extremists, does anyone of us dare to admit where we stand?
It is the intimate, personal, penetratingly perceptive touch,
indeed, that is equipped to furnish a chapter
that would have been missing were the camera exclusively relied upon.
--New York Times review of combat art show, 1943 One link between artists and soldiers is the promise of appreciation (immortality?) after
I've been finishing off the cake quartet. Where this strange analogy of the wedding cake comes into it, I have to admit to some inspired, but ultimately mysterious, source. I like that I don't always know what's happening on my canvases. I mean sure, I follow a
Completed painting "Angels and Pears" [pictured]
Acrylic paint, screenprint and gold leaf on canvas. Several layers of print here. The leaf is applied on the pears and crosses.
It's part of a contemplation on the role of Spirit in the peace process that came out of several sketches I
The ‘silencing effect’ of laws that make being ‘un-Australian’ (or Un-American-Un-British) harder to measure, while increasing the power to detain us indefinitely without sufficient evidence of guilt, creates a real fear of self-expression. It dampens the creativity and honesty in our work. - Carl
EXHIBITION - Pittsburgh, PA, USA Sept 14- Oct 20, 2007. American Caricature: An Exhibit of Political Cartoons - A World View of the United States by 34 political cartoonists. Opening Sept 14 - Oct 20, 2007, Three Rivers
NEW EXHIBITION: CUNY Graduate Centre NY April 2007
I will have 2 pieces in Leading labour cartoonist Gary Huck's Reflex: An exhibition of political cartoons. A world view of the United States to be launched April 26-28, 2007 at the CUNY Graduate Center, 34th Street and Fifth Avenue,
This is an interview I gave to promote the Sedition show with McKenzie Murray interviewing me.
RTRFM Radio in Perth have been very supportive, especially with Sedition and Other Bedtime Stories. They were really surprised that I was doing the only