Hi Folks. Yes it's been a quiet year for me artistically, but I was so pleased when Dr Kyle Grayson asked if Routlegde could use my painting There is Nothinhg Like a Drone (2011) for his new book on targeted killing. I'm still reading it, as it
This post has been published on the 'London Progressive Journal' website on 24th December 2013.
When I first heard the suggestion that the judiciary and greater Parliamentary oversight could 'save the day' and redress the reckless use of
I am contributing artwork to the workshop, “Hitting the Target?” - How New Capabilities Are Shaping Contemporary International Intervention in 12 July 2012 - 13 July 2012 at cii – the Centre for International Intervention, School of Politics, University of Surrey in the UK. There
Late last year I was interviewed by Dr Jocelynne A. Scutt, a fellow Australian with a distinguished career in international human rights law for The Art of the Possible, the Cambridge University Journal of Politics . Although it was a short-lived postgrad journal for
Without a doubt, al-Awlaki was not a man of peace. In a current Politico article on the latest targeted killing by US drones, all the questions that disturb me about drone warfare are asked, but regrettably not answered with respect to the lessons of
I realised that this painting has not been posted in my Visual Diary so here it is. It is a small canvas (20x20cm) called Kandahar Kandy , and is a companion piece to Nothing Like A Drone (both Feb 2011 completed). I merged a Hollywood character
In this surreal landscape, Department of Defence (DOD) Dragonfly robots both record and control Julian Assange, our 19th century marionette-Crusader, holding his shield of digital secrets as the world redefines war.
If the battle today is about moderates and extremists, does anyone of us dare to admit where we stand?
I have art in the LGBT Literature Issue of Phati'tude Magazine in New York City. You can preview the issue via the link below but my image only appears in the hard copy, available from their website or Amazon.
This painting is now in week 8 of not getting past this point. It's ok, in the meantime I did a small one, Kandahar Kandy , and started some notes on a possible illustration project for a book on chanson des geste. But any
I've been finishing off the cake quartet. Where this strange analogy of the wedding cake comes into it, I have to admit to some inspired, but ultimately mysterious, source. I like that I don't always know what's happening on my canvases. I mean sure, I follow a
3CR Melbourne's In Ya Face presenter James McKenzie interviewed me a few weeks ago on his live radio program. I just want to thank them again (belated post) for a frank, informed and lively discussion. I came away from that grateful for being able to explore different
My painting And Starring Benyamin Netanyahu as Norman Maine uses the main characters from the 1950s musical A Star is Born as metaphor for the current relationship between America (Esther) and Israel (Norman). It was very much a personal
Purchase a copy of Issue 9 online or at the following bookshops:
In Paris (@Librairie Les Mots la Bouche) In London (@Gay's the Word) In San Francisco (@City Lights Bookshop) I have a painting in the current issue of Chroma Journal
The last 2 months I had a very interesting experience working with a politician in Western Australia, MLA John Hyde, the opposition minister for Arts and Heritage and Multiculturalism in Western Australia. In a series of meetings, I asked him questions about his past life before politics (he used
Completed painting "Angels and Pears" [pictured]
Acrylic paint, screenprint and gold leaf on canvas. Several layers of print here. The leaf is applied on the pears and crosses.
It's part of a contemplation on the role of Spirit in the peace process that came out of several sketches I
These are 3 small canvases (10x10)acrylic paint, screenprint and 22k gold leaf. Not sure if they will fit together as one triptych or remain 3 separate paintings. The working title is "State of the Union". It's looking at the legitimacy of ideas, especially how we use religious ideas to
"Oh Barack, Don't let's ask for the moon. We have the stars." Chick Flick: Acrylic, screenprint on 16 x 20" canvas.
This is a continuation of my using Broadway and Hollywood metaphors, in examining the US/Israeli/Palestinian relationships. 'Chick Flick' explores
A lot of the issues which have arisen since Obama's Egyptian speech reminded me of the prophetic silence of the 'Sibyl of Cumae' (Roman prophesies, Homeric stories, Virgil's Aeneid VI etc). It is exploring the role of prophesy in modern political life.
Lately I have been thinking about
I have just scanned and uploaded the first 3 completed paintings from my new series exploring the new US administration. I am now researching and doing sketches for some smaller canvases which look at the Israel/Palestine situation, and as you can imagine they are taking some time. The new
The ‘silencing effect’ of laws that make being ‘un-Australian’ (or Un-American-Un-British) harder to measure, while increasing the power to detain us indefinitely without sufficient evidence of guilt, creates a real fear of self-expression. It dampens the creativity and honesty in our work. - Carl
EXHIBITION - Pittsburgh, PA, USA Sept 14- Oct 20, 2007. American Caricature: An Exhibit of Political Cartoons - A World View of the United States by 34 political cartoonists. Opening Sept 14 - Oct 20, 2007, Three Rivers
Cover Art: Social Policy Magazine , New Orleans, USA. 2007 (Education Reform). I really found this a challenge, as I worked with a great editor, Caitlin, who sent me the complex articles on the No Child Left Behind Act which was being reviewed by Congress during
A quick round up. I did a few illustrations for online magazine New Matilda, just to see how it would go. A great experience, but not something I continued as I'm working a full time job paying off a number of things including a new exhibition in 2008. But a
This is an interview I did after I was invited to speak about the various political art projects I was doing, including the Social Policy Magazine cover, the Reflex exhibition in NYC, and some work I was doing for New Matilda magazine in Australia. The interviewer is Matthew
NEW EXHIBITION: CUNY Graduate Centre NY April 2007
I will have 2 pieces in Leading labour cartoonist Gary Huck's Reflex: An exhibition of political cartoons. A world view of the United States to be launched April 26-28, 2007 at the CUNY Graduate Center, 34th Street and Fifth Avenue,
This is an interview I gave to promote the Sedition show with McKenzie Murray interviewing me.
RTRFM Radio in Perth have been very supportive, especially with Sedition and Other Bedtime Stories. They were really surprised that I was doing the only