My painting There is Nothing Like A Drone will be the cover for Dr Kyle Grayson's new book from Routledge: Cultural Politics of Targetd Killing: on drones, counter-insurgence and violence published in 2017. It is part of their Intervention Series. See larger
I am contributing artwork to the workshop, “Hitting the Target?” - How New Capabilities Are Shaping Contemporary International Intervention in 12 July 2012 - 13 July 2012 at cii – the Centre for International Intervention, School of Politics, University of Surrey in the UK. There
The United State's Attorney General Eric Holder today made a speech to justify the legal framework around targeted killings, including of a US citizen overseas. The full text of his speech is to be found at Opinio Juris who will be publishing analysis quite soon
In this surreal landscape, Department of Defence (DOD) Dragonfly robots both record and control Julian Assange, our 19th century marionette-Crusader, holding his shield of digital secrets as the world redefines war.
If the battle today is about moderates and extremists, does anyone of us dare to admit where we stand?
Are poets the front-line soldiers of our collective consciousness? If so, then where are the medics when they are wounded by the ugliness of today's 24/7 news cycle? Why are they any less the protectors of our world than guns and drones and eavesdropping dragonflies hunting for dirty bombs?
It is the intimate, personal, penetratingly perceptive touch,
indeed, that is equipped to furnish a chapter
that would have been missing were the camera exclusively relied upon.
--New York Times review of combat art show, 1943 One link between artists and soldiers is the promise of appreciation (immortality?) after
[image: Juan Antonio de Frías y Escalante. Inmaculada Concepción] I had to share this because it is so fascinating and strange and I'm using the ideas in my paintings.
I discovered the concept of the digital offspring of researchers at Michigan State University who "live" in a computer and
I've been finishing off the cake quartet. Where this strange analogy of the wedding cake comes into it, I have to admit to some inspired, but ultimately mysterious, source. I like that I don't always know what's happening on my canvases. I mean sure, I follow a
Completed painting "Angels and Pears" [pictured]
Acrylic paint, screenprint and gold leaf on canvas. Several layers of print here. The leaf is applied on the pears and crosses.
It's part of a contemplation on the role of Spirit in the peace process that came out of several sketches I