Carl’s art career spans three decades and captures the personal and historical turning points that shape the small gestures we select to define ourselves. From expressionistic works on paper to mixed media painting that interweave traditional painting techniques with print making and the written word,
He has always strived to reinvent painting to reflect the changing world. To move beyond history while capturing the fragility of culture and ideas as they are used in wars and conflict. In the last decade he has researched and explored the cultures which construct our geopolitical conflict, our national identity and our fears of a post-human future.
Outside of exhibiting, which he describes as “small and irregular outbursts”, Carl has been widely published in international magazines and journals of poetry, politics and culture. He contributes ideas and concepts with others in collaborations that help him to better understand his world.
As he explains, “Painting is the antithesis of our current ‘undo ‘culture. When you put down the paint-good or bad -you have to work with it and make it work and accept the temporal nature of that specific time and place in your life and the world you live in. Painting requires little acts of commitment to complete the story. It also needs research and contemplation. I paint even when I’m not painting.
I can sometimes fall outside of time, as a painter - as a consciousness - which makes me feel more open to the unknown. It's taken decades to learn to ride that current. I find things in my paintings that will appear in the public consciousness months or even a year later after the painting is finished. So painting can enhance your intuition if you let it. Someone interviewed me about it and all I could describe was an idea that I term 'prophetic surrealism'."
Born in the UK, Carl began working as a typographer and designer after studying graphic design in Perth, Western Australia. While working as a designer he continued to paint, but it was not until he worked in a small art gallery in the 90s, combining practical learning from his peers with academic study in sociology and history, that Carl understood that painting was his ‘thing’. After completing a BA in History, and later a First Class Honours in Sociology, he began collaborating between the worlds of academia, art, politics, music and the company of strangers.
This led Carl to presenting at international intervention workshops in the UK in 2012; painting portraits of one of the world’s leading quantum physicists and developing his own ideas on how cultural politics is changing the human narrative. He has delved into the way science and art interact along the way while speaking with geneticists, physicicsts and inventors. He has held 5 solo “outbursts” and along the way discovered a unique space to help global thinkers and researchers to visualise their ideas and feed it back into their work.
In 2017 his cover art for Dr Kyle Grayson's book Cultural Politics of Targeted Killing - On Drones, Counter-Insurgency, and Violence (Routledge, London, UK) will be released. It builds on his work in policy workshops on international intervention, and the role of culture in how political decisions shape our changing world. Carl is currently working on a new series about synthetic genomics and comparative religion titled Original Syn.
My painting There is Nothing Like A Drone will be the cover for Dr Kyle Grayson's new book from Routledge: Cultural Politics of Targetd Killing: on drones, counter-insurgence and violence published in 2017. It is part of their Intervention Series. See larger version of the image here . About the Book (from Routledge) "The deployment of remotely piloted air platforms (RPAs) - or drones - has become a defining feature of contemporary counter-insurgency operations. Scholarly analysis and public debate has primarily focused on two issues: the legality of